Monday, May 28, 2007

RnRTV #51: Smash Fashion live in Hollywood!

Rnrtv051
Quicktime (iPod) :: Windows
We hooked up with Smash Fashion for their cool gig in Silverlake. Combining influences ranging from Bowie to Cheap Trick and all classic rock n roll ...these guys have got great songs and we hope you like them as much as we do!

note: Since the club charged them money to be filmed...and the sound sucked ass...we're not gonna plug the club. Lesson? Be nice to Rock n Roll TV and be nice to bands.

You can hear Share play the new gameshow, BONED against Natali of Textra !Find out who won the Nokia N800 tablet with their trivia knowledge!

This episode is sponsored by Go Daddy! Get your piece of the internet and use our codes to save money!

  • rrtv1 - Saves you 10% off your whole order.
  • rrtv2 - Saves you $5 on any order of $30 or more.
  • rrtv3 - Get your DOMAIN.COM for one year for only $6.95.

Share is part of the new Showgirls Podcast. Seven chicks from Podshow talkin' about 'stuff'. Check it out.

Remember.......

Peace.



Boxcars711 Old Time Radio Pod - The Family Doctor "Episodes 3 and 4" (1932)

bday7.jpg

Growing up in a house filled with all girls meant growing up with fashion, to say it’s in my blood would be an understatement. At a young age when other boys were out playing sports I was shoe shopping. Now if you’ve ever gone shoe shopping with ONE woman you know it can be tough. Imagine shopping with three. How my mother didn’t get arrested for child abuse was beyond me. Why was I forced to go? Who do you think had to cary all the bags.

I’m extremely grateful for the experience though. to me being dressing well and being comfortable in what i’m wearing is the second part of my game. Because of my childhood now shopping with a girlfriend isn’t death sentence. I love the look on their faces when I tell them that their bag shoe combination wont work, or those jeans she’s thinking about getting actually makes her ass look fat (oh, yes I did). I also have a thing for buying clothes for girls I’m seeing if I’m at the mall and something catches my eye that I think they’ll look good in. Nine times out of ten I’m usually right on the money.

My sisters and I have developed the same attitude when it comes to our own style. We can’t stand to dress the same as the people around us on any occasion. Individualism is our calling card. I remember my youngest sister, who’s now in college on a fashion scholarship had to wear a pink Stella McCartney number to her homecoming and a yellow Jessica McClintock one to her prom.

Watching my sisters plan for these two events was similar to terrorist planning a bombing. Their attention to every detail was only matched by a code red level of secrecy. They were worried as my youngest sister put it of, “some skank bitch wearing the same dress”.

My favorite is my other sister. From a guys point of view I love her own sense of fashion, she’ll put an outfit together and I’ll hang with her and be like “damn girl” where did you get that. I’d describe it as a mix of elegance and confidence. She can go from high end to thrift store in a heartbeat and sometimes in the same outfit combination. She can usually find the best price for whatever she has on… USUALLY.

A couple of weekends ago she turned 24. In preparation for this event she wanted to get a new, ”little black dress”. No big deal right? Well she wanted to rock a black sequin, 3/4 sleeves, mini dress by Tory Burch that she saw a couple of months ago and fell in love with. Now on the website it was going for $800. My sister thought (at the time) that was silly to pay that much for a dress. So being the savvy shopper she is she went on ebay to see if she could find the same dress. As luck would have it she found that exact dress.

She put a $200 bid on it. Apparently this is a sweet dress because another girl put in a bid for it. My sister came back with 350. Some how it turned into a bid war for this dress. Neither girl would back down 400, 450, 500, 575, 650. My sister ended up getting the dress for $750!!! Like I said she was turning 24, that’s it! Not 21 not 30 fucking 24. I love her to death but am now convinced she has mental problems. I asked her what the fuck was she thinking, she basically saved $50? Her explanation, “I’d look hotter in it than she would”. I guess a girls got to do what a girls got to do.

So what does a $750 dress look like on her….. A fucking million bucks… get it girl, Happy Birthday!

bday6.jpg

bday21.jpg

I can’t believe this guys is actually banging Rachel Woods, as if he hasn’t had a history of getting with hot chicks but then he goes and writes a song inspired by her.



Boxcars711 Old Time Radio Pod - The Family Doctor "Episodes 3 and 4" (1932)


Episode3 "Error In Diagnosis" and Episode4 "Enjoyment"

The Family Doctor  (Dramatic Serial-1932) was a story about Dr. Grant Adams,  a small town doctor  who doubled as the communityâs moral rectifier. He was more than just respected, he was loved by all. Each week he confronted issues from robbery to suicide, and always with common sense and gentle moral judgment. Though his old-fashioned remedies for sicknesses are outdated compared to modern medical practicing, The Family Doctor's attitude towards life's daily issues transcend time. Of the 39 intended episodes, only 12 were aired.

Boxcars711 supports the efforts of the Old Time Radio Researchers Group (OTRR) whose goals include restoring, preserving and sharing the classic shows from what is commonly known as the "Golden Age of Radio" (1930-1960). Please visit and support this great organization at:
http://www.otrr.org/





Charm School Recap - Episode 6 - A Moving Schatar-get

If this episode doesn't make you cry at least once...

Cs_6_9

Cs_6_26

Cs_6_71

...you have no heart.

Cs_6_54

Ahem.

This episode's commandment is...

Cs_6_2

Unfortunately, this is not referring to the horses that were robbed to give at least 75% of the Charm School girls the hair they call their own.

Mo calls the girls down and Shay pretty adorably says, "I look like a sleepyhead." Adorable, yes, but also wrong. She looks like a sleepy-ass-head.

The girls head downstairs where Mo explains the challenge: "Today you gonna give back the clothes off of your backs." Uh, didn't Darra's runway disaster teach you anything, Mo? Best to keep the backs covered. But for real: today's challenge Video_iconwill involve donating personal items to a charity thrift store. The girls are to team up and, along with their teammate, go through each other's clothing to find items to donate. Each item will be given a monetary amount at the thrift store. The team that raises the most money will win the challenge and be safe from elimination. Since there will be two ladies per team, this week's elimination will be a double elimination. Scary!

The teams end up like this:

Brooke and Leilene
Schatar and Darra
Larissa and Shay
Saaphyri and Buckwild

Immediately, the girls get to digging. Brooke quite awesomely looks disgusted when faced with Leilene's "stripper clothes."

Cs_6_4

(Where do you even put that?)

Cs_6_5

(Are those crotchless?)

Cs_6_6

(What is that? A diaper? A colostomy bag?)

And on and on. You half expect her to hold up a roll of floss and some star stickers, only to hear Leilene say, "Hey! That's my favorite evening gown!"

Meanwhile, Schatar says the word "couture" about 5,000 times as she rummages through her belongings.

Cs_6_7

And Larissa eats...

Cs_6_8

...bacon? Fried in the blood of babies? Something. Larissa's teammate, Shay, thinks she and her homegirl have this challenge in the bag. "I watch what people wear because I'm just into fashion like that. Brooke is cheap. Leilene is damn fo' sure cheap. Darra cheap as hell. That bull ain't gon' be worth nothing." Take it from someone who's posed with a snake. Shay knows cheap.

And then there is Saaphyri.

Cs_6_9_2

Saaphyri cries because she doesn't have as much as the other girls. You can definitely feel for her, but there's some indication that maybe part of Saaphyri's problem is that she uses her money unwisely. Toward, say, $800 multi-colored wigs, for example. But whatever, her pain is real and Saaphyri is generally adorable so cry along with her. NOW.

With all their stuff together, the girls pull up to the thrift shop.

Cs_6_10

Never in the episode is it explained that Out of the Closet is maybe even more noble than your average thrift store. It's specifically designated to raising funds for AIDS and HIV programs and services. Isn't that, like, notable, as it makes the girls' hearts seem maybe slightly bigger and, thus, tugs at your heart strings just slightly more aggressively?

Whatever. The girls begin their selling.

Cs_6_12

Cs_6_11

Brooke makes sure she understands the ground rules. "If it isn't directly worn on your breast or vagina, you can sell it?" Well, that rules out Leilene's wardrobe. Onto Brooke's indirect vagina coverings.

Cs_6_13

But for real, many of Leilene's garments are rejected. She gets to desperate that she offers these...

Cs_6_14

They are rings that her mother wore (though not through her breasts or vagina, it should be noted). Leilene's mother died of cancer and these are but a few of the mementos she has left. Brooke implores Leilene not to sell them, which is actually really big of Brooke as it would only benefit her. Leilene presses on and ends up getting $90 for the rings. For as much joking about this show as we do, her commitment to winning this is pretty overwhelming.

Shay and Larissa are next.

Cs_6_16

Shay bickers with the semi-studly dude behind the counter. She feels that he is not offering her the right amount of money for her designer jeans by illustrious brands like Citizens of Humanity and Seven. You ain't got some Dickies up in there, Shay? Larissa is puzzlingly silent and easy-going through the process.

Cs_6_17

Before she begins her selling Schatar Video_icon offers a disclaimer: "Now please understand, I shop primarily couture, so I brought you some of my very personal, very couture items." Nice. They're very couture. More couture than anything in your closet, no doubt. Even if it's, you know, couture.

Apparently, Schatar's stuff is just way too couture, because no one wants it.

Cs_6_18

Nice. Once again, Schatar's odor is notable. Nasty fat nasty, if you will. The scent probably comes from those extensions she has under her arms. Odor clings to them, you know?

And then, there is Saaphyri and Becky.

Cs_6_21

Saaphyri, like Shay, becomes disagreeable at the prices the semi-studly dude offers her.

Cs_6_22

She balks at being offered $15 for a pair of $200 Ugg boots. And really, you can tell she cares a lot about those boots, but $200, for real? She coulda bought a quarter of a head's worth of hair with that money!

Cs_6_23

And then, she gets pissed.

Cs_6_24

Like, really pissed. She starts throwing clothing and says that she's removing herself from the challenge. She seeks solace in some clothing that people undoubtedly were given too little monetary compensation for:

Cs_6_25

While Saaphyri throws her tantrum, Becky remains utterly mature, picking up her partner's slack and not once complaining about any prices that she's offered.

And then, Saaphyri's outburst reaches its hilarious peak.

Cs_6_26_2

She blows her nose in one of the garments for sale. Saaphyri is awesome. Plus, you know the other sleeve on that thrift-store blouse probably already had snot stains on it. Saaphyri was just balancing things out. This was a helpful act, even.

And then, Saaphyri comes to her senses.

Cs_6_27

She ends up selling everything she brought, even the boots (she gets $20 for them instead of the $15 the semi-studly guy originally wanted to give her, so...boo-ya!). This would seem to mark a happy ending for a trying time, until...

Cs_6_28

Some woman buys the boots! Apparently, Saaphyri threw in some of her weave (say...$200 worth) as well, if what's on that woman's head is any indication.

From the bus, Saaphyri catches the woman buying her beloved boots and confronts her outside.

Cs_6_29

Saaphyri asks the woman how much she paid for the boots and the woman gleefully reports that it was a mere $20. Hit her with a bouquet of flowers Saaphyri! Offer her lip chap! Sadly, neither happens as Saaphyri sulks away without any signs of aggression.

She saves that for home, where, inexplicably, she gets into it with Darra.

Cs_6_30

It starts when Darra offers Saaphyri the use of clothes that she didn't end up selling. Somehow, Saaphyri concludes that this makes Darra "fake." Maybe it makes Darra selfish and/or a lousy competitor, but she seems pretty genuine. Nevertheless, screaming ensues. Apparently, the lesson is that they don't know each other. Well, if they did, they probably wouldn't have had this fight. Goes without saying, girls. Goes without saying.

And then, it's time for the results of the challenge:

Cs_6_32

Cs_6_33

Cs_6_34

Cs_6_35

And, it would appear that not even their protests could keep Shay and Larissa's designer duds from bringing them to the top. Except, Mo adds that she hasn't yet added in the $90 raked in from Leilene's ring donation. This brings Brooke and Leilene's total up to...

Cs_6_36

For some reason, Larissa finds this hilari-ass.

Cs_6_37

"Apparently, stripper clothes are worth a lot more than I thought. Unless she gave him a b******. Damn crack whore," says Larissa. First of all, he didn't really seem like the type who'd be into such a favor from Leilene. Also, this is as caustic as we've come to expect from Larissa. However, when she tells it in her interview, she adds a little head movement that's pretty damn irresistible.

Larissa_headsway

Hate Larissa all you want, but you know you're just jealous of her sassy-ass ass.

Brooke and Leilene's prize is a shopping spree at Forever 21.

Cs_6_38

Outside, Leilene's all, "Yay! Forever 21!" But you know that inside she's thinking, "Why couldn't it have been Trashy Lingerie?" They're told that they get to pick a team to bring along on the shopping spree and since kiss-ass-ass Schatar congratulated them upon winning, they choose Schatar and Darra.

Cs_6_39

The girls head to Forever 21.

Cs_6_40

Guess who gets all desperate upon seeing a stripper-y little number?

Cs_6_41

Leilene, of course. She's like a zombie, except instead of moaning, "Brainsssssssss," she's all, "Annnnimal prinnnnnnnnt."

Cs_6_42

If anybody needs Schatar, she'll be in the dressing room with her new friend, mannequin arm.

Meanwhile, back at the house, Larissa and Shay decide that they need to oust Schatar.

Cs_6_43

And so, Larissa devises a plan.

Cs_6_44

Cs_6_45

While completely evil, this fiddling with what will undoubtedly be taken as karma is relatively clever. Larissa is waaaaay existential here.

Cs_6_46

The plan is hatched. Larissa says that if she goes out, she's going out with a bang. Well, that, a neck roll and at least one "-ass," no doubt.

Meanwhile, Saaphyri feels it necessary to speak with Mo'Nique about her difficulties with the challenge and with Darra.

Cs_6_48

Saaphyri says that this challenge really got to her because she has a history of things being taken from her. When her dad died, someone took everything. Who that someone is is never explained. Regardless, when people take things from her, it makes her feel like she has to fight for them. Being a charity case makes her feel even worse. This is why she took to harshly to Darra's offering. So, at least there's a history behind her behavior, but really, being a jerk in the face of generosity...kinda makes you a jerk.

And speaking of!

Leilene returns home from her fabulous day at Forever 21 and immediately realizes that her mother's picture has gone missing.

Cs_6_50

Exactly as Larissa planned!

Cs_6_52

She loves it and, even though she's something of a silent partner, so does Shay.

Cs_6_53

She loves being friends with a demon. It's convenient in that it cuts cooking time in half!

Cs_6_54_2

By now, Leilene is causing a huge fuss over her missing pictures. Fair enough -- she already lost one thing of her mother's this episode, you know? You can't help but feel bad for her for being a pawn in Larissa's scheme.

Cs_6_56

Larissa, guiding Leilene to exactly where she wants her, suggests looking under Schatar's sheets. "She is f***ing sneaky," reasons Larissa.

Leilene does and...

Cs_6_57

...there they are!

A confrontation ensues.

Cs_6_60

Schatar denies stealing the pictures and astutely (considering...) suggests that the person who told Leilene to check Schatar's bed is the one who stole the picture. Schatar is 100 percent right, but Leilene apparently doesn't care or is letting Schatar's prior thieving cloud her logic.

Cs_6_61

Leilene reports to Mo'Nique, who calls in Schatar...

Cs_6_62

And nothing's resolved. As we'll see in a second. For now, it is time for judging.

You have to hand it to Mo'Nique: she looks better than she has yet on this show.

Cs_6_63

Too bad her reasoning isn't up to par with her appearance. She reminds the girls that this week's exercise gave the girls a chance to feel what it was like to donate to those who are less fortunate. Let's take a break right here to reflect upon the fact that what the girls were doing was totally self-serving as they were giving primarily to keep themselves in the competition so that they could still be in the running to win the $50,000. You can buy a lot of Ugg boots and fake hair with that money, you know?

For getting the least amount of money for their clothes, Darra and Schatar are called to the carpet. Saaphyri and Becky may have come in third, but Saaphyri gave everything she had and for that she is rewarded: this week, she and Becky are safe. This means that Larissa and Shay must attend the carpet pow wow.

Cs_6_64

The criticism begins. Schatar lied about her clothes and said the word "couture" often enough to make it meaningless, if it weren't already. Darra negotiated like she was in a swap meet. Together, their strategy seemed like it was to give as little as possible. Larissa and Shay missed the mark by wanting too much for their clothes.

Then, Mo'Nique brings up the subject of the stolen pictures and goes through all the girls, asking if they took them. Schatar busts out her small hands for emphasis.

Cs_6_65

This is unconvincing. Carnies are career liars!

She asks Larissa and Shay, who gives an incriminating eye roll that's totally ignored.

Cs_6_66

And then, Mo decides that they can only go on what happened in the past, and since Schatar stole Heather's and Brooke's dresses in the past, it is she who must be held accountable for the missing pictures and apparent lack of a rewind button. "See, when you do clownery, the clown comes back to bite," says Mo, shooting off a cliche that will never be. It's so barely coherent that it's pretty awesome. What clown, you know? The one under the bed in Poltergeist?

And so, Darra Video_icon must leave, too.

Cs_6_67

"I really learned something from this. Day-um," she chokes out through her tears. At the top of her lessons learned? How to maximize the amount of syllables in your words.

In her exit interview, Schatar maintains her innocence in Picturegate and says that whomever really took the picture is going down.

Cs_6_69

Oh, she'd probably go down anyway.

And then, to add a touching finale to the tumult, Mo'Nique calls Leilene up and praises her for her unselfishness in donating Video_icon her mother's rings to the thrift store. "I'm honored to be in your presence," says Mo. Well, at least she's touched. She then gives Leilene back the rings.

Cs_6_70

And then she cries a little.

Cs_6_71_2

Is she moved or is Larissa poking her in the butt with a pitchfork? Stay tuned and find out!


Quit Your Day Job: Deerhunter

Unless you were born with one of those silver spoons, you likely work a day job, sneaking time for your own business when not taking care of someone else's. You're not alone. Every week, Brandon Stosuy finds out how our favorite indie artists make ends meet...

Deerhunter's been buzzing loudly since the release of their sophomore album Cryptograms earlier this year. The Fluorescent Grey EP helped maintain the chatter some, but it's the Atlanta quintet's live presence -- dresses, blood, and blowjobs, but also old-fashioned chops, volume, energy, and charisma -- that's solidified/ultimately justified the next-big-thing status. The rise to NY Times exegesis and Karen O love might seem quick, but it's been a pretty long trip: Deerhunter started in 2001, co-founded by vocalist Bradford Cox, and this week's worker bee, drummer/keyboardist Moses Archuleta.

Amid the hype, Archuleta maintains his day job, though he's basically the last member of the band to punch the clock. A tipster alerted me to Archuleta's 9 to 5 gig at American Apparel in Atlanta, so I caught up with him earlier this week to discuss gardening, light-bulb replacement, clothes folding, leg warmers, Current 93, and "The Most Unwanted Song."

After our conversation, you'll find "Axis I (F. Grey)," a track from the Atlas Sound/Mexcellent split 12" out on Hoss Records. Atlas Sound is Bradford Cox’s solo project; the song's a one-man glistening nighttime thump-in-the-echo-chamber demo/prototype for Deerhunter's "Fluorescent Grey." Go through it once, then listen to the two songs in tandem -- it's a quick lesson in how the group opens up and expands a headspace.


Table, Bridge and Assisted Inversion (Yoga:It’s a Gas!)



This week on Yoga: It’s a Gas! (www.yogaitsagas.com) Host Ellen Moschetto welcomes Boston based, stand-up comic Brian Ronin to learn yoga poses of his choice. Brian also chooses his own yoga wear and puts on a fierce fashion show!

This week Ellen demonstrates the potent poses “Table,” “Bridge” and “Assisted Inversion.” Watch these poses infuse Brian and his plastic playmates with zest and energy to spare.

Namaste.

“Whether it’s your first time or 1,000th time, tune in to “Yoga: It’s a Gas!” for an educational and fun-filled experience…”


Ideal Kitchen Project for "You Wear it Well/Got a Minute?"

As you know there are two competitions running at the moment, there is You Wear it Well 2 and the collaboration with IQONS.com, "You Wear it Well/Got a Minute?" The latter runs every month on IQONS.com and the best of the best will open You Wear it Well 2 in a special portfolio of 10 one minute films. You Wear it Well 2 is a travelling presentation of short films and videos regarding fashion, style and beauty from around the world. The second edition will debut in Los Angeles in August. For more on "You Wear it Well/Got a Minute?" click here .

In brief, one of our goals as curators was to organize a presentation
of short films and videos that celebrated and investigated the
intersection of film and fashion, going beyond fashion's familiar role
of wardrobe, catwalks and costume design for feature films. Our curatorial
process was three-fold: 1) we sought out films that we had already
seen and felt should be experienced by a larger audience in a proper
theater setting; 2) we approached various filmmakers, fashion
designers and artists whose work we admire and investigated if they
had a film for us or if they'd be interested in making one for YOU
WEAR IT WELL; and 3) through my Paris-based blog, A Shaded View on
Fashion (www.ashadedviewonfashion.com), we conducted an open call for
short films and videos from around the world, to see what was out
there or what people would come up with. A small jury of fashion and
film professionals chose the best of the submissions and they became
part of the film program. We wanted to align some of the bigger names in
fashion and filmmaking with creative people as yet unrecognized for
their craft as well as to inspire people to continue to make films that explore
the intersection of film and fashion.

Within the current edition of YOU WEAR IT WELL, some of the more
notable submissions include: "Fashionation," a beautifully illustrated
A to Z history of fashion by Ruben Toledo; "Starring," a whimsical and
camp telenovela-like film by renegade designer, Jeremy Scott, whose
cast includes Asia Argento, Tori Spelling, Lisa Marie and China Chow;
Marcelo Krasilcic's clip for the label "VPL," starring Chloe Sevigny;
a short film by Ridley and Jordan Scott for Prada, entitled "Thunder,
Perfect Mind"; and "The Bridegroom Stripped Bare," a rough-and-ready,
yet artful transformation that takes place before your eyes, from the
collaborative minds of star fashion photographer Nick Knight and the
incredibly talented Alexander McQueen.


Later,

Diane and Dino


Ways to find new music

It’s a bit sad going to clubs and bars in Puerto Rico. The DJ’s play the exact same set of Spanish-rock songs that everybody knows and everybody expects. And when there is a band playing, guess which songs they cover? … Give up? The exact same set of Spanish-rock songs mixed in with Bon Jovi.

Radio stations aren’t better. Although the FM band in the island is stuffed full, most of the stations have a Top 40 format. We only have one decent/good local rock station. And the absolute best station on the planet is in St. Thomas, so we can only enjoy if we can have the reception.

I think I would’ve ended my life by now if it wasn’t for Al Gore and his miraculous Internet apparatus.

As I keep trekking through the Web 2.0 seas, new sites for discovering music keep popping up. Each uses their own methods to recommend and play songs in their entirety that you may like. As they feed from what you tell them, they evolve and accommodate to your tastes. Eventually, you can listen to a stream of music that you love, but have never heard before. Unreal, isn’t it?

A big chunk of the music I enjoy is by independent artist that have benefited greatly from these services. Without labels and their exorbitant fees, their music is out there, being listened-too and purchased. And isn’t that the way it should be? Why should artists work hard so record executives can afford mansions, yachts, jets and hourly hand-jobs?

Here’s a collection of some of the stuff I’m interested in:

The old-school way: SHOUTcast
They’ll always be a place for streaming radio. Nullsoft’s SHOUTcast software has enabled just about anybody with the inclination to setup their very own music station. There are thousands upon thousands of them out there organized by genres. It’s also build into software you may already be using, like iTunes and the beloved XBMC. SHOUTcast is also supported by many other clients, like Nullsoft’s own Winamp, VLC media player, XMMS and Zinf.

The genomic way: Pandora
I’ve been using this awesome free service for about a year and a half. It’s unique in that they tag music with very informed descriptions by The Music Genome Project. As you tell it what songs you like or dislike from what it plays you, Pandora uses the descriptions to adapt to your tastes, and constantly serve you great music.

The versatile way: Slacker
“Slacker is a new kind of music company. We deliver personal radio that is customized for every listener”. It’s like SHOUTcast and Pandora combined. Sort of: The artist stations are only based on “similar artist” profiles and it doesn’t learn the way Pandora does. It also has streaming stations by genre, but unlike SHOUTcast the playlists are being generated on the fly just for you. Songs are skipable a limited amount of times thanks to the RIAA.

The customizable way: Finetune
Finetune streams tracks from the user’s favorite artists, and lets the user create and share playlists online. Playlists are 45 tracks long. But there are some RIAA induced limitations: You can only include 3 songs from the same artist in any given playlist and songs can only be played one time. I only used this once, but I was very impressed with the recommendations.

The social way: Last.fm
Last.fm is a music-based social networking site. I have it setup with iTunes and XBMC. All the music I listen on these gets listed on my Last.fm profile. The site can then give me recommendations based on what it has learned from other profiles. It also matches me with people that listen to similar music.

The less-free way: Amie Street
Amie Street is an online music store and social network service. Artists upload tracks onto the site, which allows users to purchase them at a price that varies according to demand. The price for all tracks starts at zero when a song is uploaded onto the site. It then rises according to the increased demand. The maximum price a song can reach is 98¢. Website users earn credits by recommending (”REC”) songs to their friends. If the REC leads to users purchasing it, the price of the song will increase. The user will earn credit based on the increase in the price of the song after making the REC. Artists keep 70% of the proceeds after $5 in sales for each song. - Are you paying attention? This is the future, people.

The patient way: SXSW
I’ve first heard about some of my favorite artist (whether directly or indirectly) thanks to the South by Southwest music festival. Every year over a thousand bands go to Austin, TX to play at dozens of venues. The best thing about the festival (for someone that has never been to Austin) is that the SXSW site offers a free musical sampler. Before the start date they release a Bittorrent file with over 700 songs. All mp3’s. All DRM-free. I call it “the patient way” because it’s a tedious process to sort through 700+ songs to keep the ones you like. For the 2006 set it took me over six months. This year I sorted it in about two: iTunes and a Sansa are a big help. I kept almost 250 songs for 2006 and little over 190 for 2007. That’s a lot of free music.

Also, since I’ve discovered quite a few bands through blogs, maybe I should just set your ass up some phat tracks:

The Birthday Massacre - Video Kid
Boss Martians - Power Of Doubt
The Catch - Empty Your Pockets
End Of Fashion - O Yeah
Ladytron - Destroy Everything You Touch
Morningwood - Nth Degree
Page France - Junkyard
Sarah Hepburn - Hey Ok
Sia - Breathe Me
The Twenty Twos - She Does
Bishop Allen - Click Click Click
Eilen Jewell - Back To Dallas
K’NAAN - If Rap Gets Jealous
Loney Dear - I Am John
The Mooney Suzuki - 99%
Mute Math - Typical
Simple Kid - Seratonin
Sparkle Motion - Try
This Will Destroy You - I Believe In Your Victory
Voxtrot - Trouble

All these are provided through the SXSW site. Enjoy.


Intermediate Lesson #57 - My Tokyo Traveblogue - Day 14

I love Mr. Mickey's comments, reminds me of the days when I was Dr. Diane on Elle.com.

Mickey Boardman, aka Mr. Mickey, brings his PAPER Magazine column on sex, comedy and fashion (not necessarily in that order) to life. In this week's episode, Mr. Mickey tackles office sexing, summer work attire (no flip flops!) and what you might have to do (or not do) to get your man to wear seersucker.



Intermediate Lesson #57 - My Tokyo Traveblogue - Day 14


Learn Japanese with JapanesePod101.com! Agnes is dress shopping in a trendy Tokyo fashion boutique. She meets a very special sales associate who helps her find the perfect outfit! This lesson will teach you useful shopping phrases and will introduce the grammar point, mieru, used to describe how things look. Keep [...]


Getting Married Find Someone To Shoot You Tips And Best Practices For Choosing A Professional Weddin

Title: Getting Married Find Someone To Shoot You Tips And Best Practices For Choosing A Professional Weddin, Category: Marriage-Wedding, Article: Getting Married? Find Someone To Shoot You!! Tips And Best Practices For Choosing A Professional Wedding PhotographerBy: Amir WestDont Underestimate the Value of Your PhotographerAmongst the plethora of wedding professionals that you will need to consider for your most singular day, there are several reasons your photographer is probably the most important and possibly the most difficult vendor to choose. While the caterer, limousine service and reception hall operators are all very important in their own right, your photographer is perhaps the only artist with whom you will spend the entire day; this means a good rapport is an absolute must.Products provided by other vendors such as the cake, music, tuxedos and food may be absolutely fantastic - but after a few months have passed since your wedding day, when the cake is gone, the music has stopped and the tuxedos were last seen prancing around at the local prom, what will remain to immortalize those majestic moments of your life? The photos from a professional photographer will last a lifetime at the very least.Which Style Suits You Best?When it comes to wedding photography there are two major style philosophies that tend to dominate the current market place, Traditional and Photojournalistic.As the name may imply, the traditional style has been around the longest and until recently was the most common. Essentially the traditional style wedding photographer is one who prefers to place the couple and groups in specific poses for their photos. This style of photography usually requires that a shot list be prepared in advance by the bride and groom so that the photographer can have a step-by-step checklist and be sure to photograph everyone the couple wants. This style calls for a meticulous photographer who excels in portraiture and is very concerned about each detail in an image including things like: head angle and body positioning, hand placement and ring location, lighting ratios, backgrounds, etc. As you might imagine the time requirements for this type of photography are significant and require a commitment from the couple and attendants to accommodate this style.With the photojournalistic wedding photography the concept is to capture images as they occur, with little or no intervention. This photographer will typically create more images during the course of a wedding in an almost documentary fashion and usually has a great eye for storytelling. Photojournalistic photographers must be skillful at capturing candid, emotional moments and therefore should have great timing and anticipation. Currently this style has become the most popular throughout much of the United States, whereas overseas there are still some places such as France where the traditional style appears to remain in vogue.There are many photographers that offer some elements of each style in an attempt to provide the best of both worlds. Often this takes the form of a photojournalistic approach to the ceremony and reception, but with traditionally posed portraits of the bride and groom as well as group shots either before or after the ceremony.Quite frankly there is no right or wrong style; either method can deliver very beautiful images. You should review prospective photographers portfolios and consider the ones that you have the best feelings about also, remember that on your wedding day you will need to be prepared to either work with a person who is something of a director in the case of the traditional photographer, or more of a reporter with the photojournalistic style photographer.Finding the Right PhotographerThere are many things that go into the choice of your photographer - style, professionalism, value and cost are some of the commonly considered attributes. The best way to get started is to do your research by asking friends and family members for recommendations and searching the internet for photographers in your area; also many of the professional photographer associations such as PPA or WPPI have searchable listings of their member photographers.Most photographers youll find have websites where you can view their work and narrow your search down to the ones who have produced images that you find impressive. Once you find several credible photographers that have shown they can produce excellent photos, its time to pick up the phone and call them ask them about their services and just feel them out in general. The initial conversation should give you enough of an impression to determine if a face to face visit is warranted.When you decide to meet your photographer in person most likely you will have already seen some of their work online and have a pretty good feeling about the artist; while you may discuss many things during the meeting, its main benefit is to determine if you feel comfortable around this person. Do they make you laugh or smile? Does the conversation flow smoothly? There are many things that make for great photographs, not the least of which is a highly skilled artist behind the camera, but not even the most technically proficient photographer can produce truly beautiful photos of people when they are not comfortable and relaxed.How Much Will it Cost?Your choice of photographer in a perfect world would have very little to do with the cost of services and everything to do with their professionalism, photographic abilities and penchant for making you feel at ease when in their presence.In many ways this purchase is similar to that of the engagement ring in that you really ought to get the best that you can afford because youll have to live with it for the rest of your life. Can you imagine calling around to your local jewelers and asking what they charge for an engagement ring, hearing them tell you $3000, $8000, etc. until finally you get one that says I have one here for $350 and you yell SOLD, hold that ring and Ill be right down to pick it up! You might say its silly to buy a ring youve never seen just because it costs less than the others but of course Im just trying to show that sometimes it doesnt pay to buy heirlooms based on the price tag alone.While not every photographer lists their prices online the fact is these artists charge wildly varying prices, from the guy down the street who can shoot your magical day for $500.00 to the higher end photographers who earn $120,000 per wedding assignment. Keep in mind when making your choice that the old adage of you get what you pay for does not always apply very well to photographers. Paying more money does not guarantee getting the best photographer and hiring Uncle Larry to shoot your wedding for a six pack and a couple of NASCAR tickets does not necessarily mean your photos will be horrible. Generally speaking, you can expect to pay anywhere from $2,500 to $20,000 for a full day of wedding coverage from a professional.Before You Sign That ContractMost of us have heard the horror stories where photographers dont show up, dont deliver the photos, get drunk and start hitting on the bride or tragically try their hand at the old watch me yank this table cloth off without affecting any of the dishes during the reception. The fact is in most cases these sorts of photographers are the exception, not the rule. If you perform the same due diligence that you should before hiring any vendor - meet with several professionals, view samples of their work, get references from past customers and perhaps check them out with the Better Business Bureau, you should feel completely confident by the time you decide to retain your artist.With all that in mind, there are many things to be wary of when selecting your photographer. Here are some things about any professional wedding photographers service that you should ask before making your final decision:1.Who will actually photograph your wedding?Quite often there are studios that have many photographers working for them; also there are outfits that act basically as a referral service, booking couples and then assigning one of their many affiliate photographers. Be sure to make it clear that the whiz-bang images and album samples that you see actually come from the same person who will be shooting your wedding. If thats not the case then ask to see samples from the actual photographer.2.What happens in the event of equipment failure?Were all familiar with good ol Murphy and his laws by now. Any professional photographer should have, at a minimum, duplicates of every vital piece of equipment. This means a second camera body, backup flashes, extra batteries, cables, etc. I know several pros that steadfastly refuse to work at all unless they have a backup to their backup!3.Will you receive the negatives or high resolution digital files?Some studios include the negatives or digital images in their packages, some dont and others include it only at an extra cost. Many photographers depend on income from print sales after the wedding and so are concerned that giving negatives or digital files will cause couples to run out and get their own prints made at the local CVS (I should point out here that printing images without written permission from your photographer is illegal) instead of purchasing them from the photographer.The concern from a customer perspective is - what happens five years later when you want more prints made and find that your photographer has closed up shop and retired to Bangladesh?If you end up with your heart set on a photographer who doesnt offer the negatives, one possible compromise is to ask her to provide them after a period of time such as 90 days. In most cases there are very few print orders after the first 30 days have elapsed since the wedding; therefore at 90 days the photographer should have already gotten any print orders he is likely to receive for your wedding and may feel comfortable at that point releasing (or selling) the images to you.4.Are there any hidden fees?Make sure to find out if there are any additional charges such as travel costs, printing or shipping charges, etc that will be tacked onto your bill. Its a good idea to ask what the photographer charges for ordering prints and enlargements, especially if they refuse to provide you with your negatives.5.Get it in writing!You want to be sure to get in writing everything that your package entitles you to. The photography business is rapidly changing from month to month and many photographers update, modify or tweak their packages regularly to respond to industry trends. You dont want to find out when your day arrives 8 months later that the photographer has changed his packages around and now doesnt remember that you are supposed to receive three signed 16x20 prints as part of your deal!Ideally all the terms of the package that you agree to should be included in your contract.Copyright Amir West 2007 all rights reserved, Form more information about Marriage-Wedding articles visit articler.com


Buddhist Art Vandalized (Sort of)

Right: The mandala before…

In NBC’s Nightly News podcast (find it here), Brian Williams reports on the Tibetan monks’ sand creation in the Kansas City airport ruined by a 3-year-old (you will have to scroll through to 20:15 to catch the story, which appears last in the program). See also WCSH6 and ABC, which reports the monks have forgiven the toddler, see also this.

Right: The mandala after…

Blog Roundup:

“At least the monks have cultivated the mindset of the fleeting nature of art, so it was no big loss.” [American Samizdat]

“My Mom would have spanked my butt right there though and it would have been all over youtube if that were around back then!” [a Jennifer on Myspace]

“As a mother, I would have been completely mortified and apologetic if one of my boys did this. To just grab your child and leave, what a bitch!” [The one and only Angie]

“Monks are bald, so they couldn’t rip their hair out. But were they angry? Did they curse? No. They simply smiled and started over.” [Kansascity.com]

“I have to say i respect the hell out of the monks for their gentle global view. I’m sending them a little check. You should too.” [Buzz Words]

“That’s it you guys, I’m buying a red robe and shaving my head.” [Outdoorzy.com]

“…in typical Tibetan monk fashion, they simply smiled and started over. Which is probably a better reaction than I would’ve had: drop kicking the baby through a plate glass window while screaming ‘DIE!’” [Geekologie]

“Of course, since they destroy the mandala themselves when it is complete, having it ruined early on is no doubt easy to align with their beliefs.” [NonStop Chatter]


Tactical Philanthropy Podcast: Daniel-Ben Horin

My guest today is Daniel Ben-Horin. Daniel is founder and president of CompuMentor and TechSoup, who are behind the NetSquared Conference. Daniel discusses the history of CompuMentor, how technology is transforming nonprofits, explains the vision behind NetSquared, and reflects on the use of “wisdom of crowd” techniques in philanthropy.

Expand this post using the link below to read the transcript.

[intro music]

Sean Stannard-Stockton: Hello, and welcome to the Tactical Philanthropy podcast. I'm Sean Stannard-Stockton, author of the Tactical Philanthropy blog, and a principal and director of Tactical Philanthropy at Ensemble Capital. My guest today is Daniel Ben-Horin. Daniel is founder and president of CompuMentor and TechSoup, who are behind the NetSquared Conference. Daniel, thanks so much for joining us today.

Daniel Ben-Horin: My pleasure.

Sean: Daniel, why don't you start off and tell us what CompuMentor does, and what led you to founding the nonprofit in 1987?

Daniel: CompuMentor came out of an experience I had in one of the early online communities, the WELL, which was spawned by the "Whole Earth Review," and actually stood for Whole Earth 'Lectronic Link. I'd been the director of an organization called Media Alliance, which we founded in the computer lab which I never used because it was 30 feet down the hall and I was trying to figure out how to use my own first computer, a Kaypro 2X. But somehow, getting away from my computer and trying to learn in a lab just didn't feel right.

And after I left Media Alliance, I was still pounding away at the Kaypro and holding, like many people, an idea of the nerds out there--these sort of new breed of folks who presumably had pocket protectors full of pens, asocial, and no interest in anything other than the new technology. That was the image that I held, until my next-door neighbor insisted that I log on to the WELL. And in fact, I refused, just didn't pay any attention for a while, until he, like a good nerd, insisted, and came over and sat next to me and logged me on with my 300-baud modem.

What I found was a community of people who were incredible. I saw how shallow the stereotype was. These people were highly engaged with social issues, were very articulate--very passionate, in fact, about social issues--and very busy, very occupied with being on the edge of new technologies. But it seemed to me, very interested in reaching out, if they were given a way that would really use their skills.

And so that, in combination with experiencing the power of having my neighbor sitting next to me at my own computer showing me what to do, led to CompuMentor. The simple idea was that we would ask the people on the WELL to be mentors at the sites of nonprofits, and we would see what would come out of it. And what's come out of that 20 years later is NetSquared, although, there's been quite a bit in-between.

Sean: Sure. What are the basic services, or what does CompuMentor do for nonprofits today?

Daniel: I often say that CompuMentor is the dog and TechSoup is the tail, and that over time the tail has sort of eaten the dog. Today, the single main thing, the anchor of our program, is that we administer a website called TechSoup and a product philanthropy platform that is closely integrated into TechSoup, which is called TechSoup Stock.

And we, over the years, have gained the confidence and business of most of the major software companies, and also Cisco, a very prominent hardware company, as the administrator of their product philanthropy programs. So for these companies, it's a goal, to be good corporate citizens and provide support to the nonprofit sector, and the way they prefer to do that is by donating the products they make.

Our proposition to them is that we will qualify recipients, that we will handle the administration, and that we will support the use of those products once they reach the recipient. So that support is provided through the knowledge platform that TechSoup is, and through a host of relationships we maintain with technology providers around the country, whom we try to support in various ways.

We also undertake projects ourselves. We do a lot of work with the Gates Foundation, with libraries, in domestic libraries, and try to bring those learnings back to TechSoup and the broader community.

So at this point in our evolution as an organization, we provide products, we provide knowledge, we go out into some areas that are difficult to fund work in at the outset, and try to explore the terrain and come up with ways of accessing resources in different ways and supporting nonprofits. So we have a program for refurbished computers, and as I mentioned, the library work, and then this NetSquared, our effort to support web services, the social web in a social entrepreneurial and nonprofit context.

Sean: One more question before we move on to NetSquared. Most people, I think, can look around them and see how technology has transformed corporations and transformed consumer products. And people feel like the various services and products that they buy are different than they were, due to technology.

But I have the sense that most people don't know how technology has really changed the nonprofit world, or even wonder if it has. Has technology really transformed the products and services that nonprofits can offer?

Daniel: Well, it has. I think, in many ways, the nonprofit world lags behind the private sector. In some ways, nonprofits are simply small and medium-sized businesses, but in other ways, they are very distinct entities that operate in a different way than the private sector. So to the extent that they are the same--that they're just small and medium-sized, and in a few cases large, enterprises--they have to use all the software that any such enterprise would use.

And they have been acquiring that software over the years and the hardware to run it on, not quite as quickly as the private sector and with more financial constraints, so there's more kludged systems and less elegant setups.

One of the jokes, so to speak, of the nonprofit sector is that when people from the private side come in and try to help, and they look at a messed up computer system, they'll say, "Well, let's get a new one." And that kind of alternative is not as available to nonprofits as anyone would like. And the efforts to sort of dance around the lack of financial resources and still come up with effective results is an ongoing one that causes some apparent backwardness, just because, often, the resources aren't there.

On the level that nonprofits aren't like businesses, I think things will get pretty interesting, because nonprofits are in the business, so to speak, of doing the things that society needs done but no one really wants to go out and try to make a living at doing and create enterprises to perform, in the private-side sense.

So nonprofits are often very engaged with serving low-income communities, in one form or another, and traditionally, nonprofits serve those communities in a very center-out model. The people at the nonprofit, working with their funders, perhaps, and their boards, will decide what the communities needed and will try to provide those services to the community.

What's changed, and how technology has, I think, changed that equation, is that as technological tools and communication tools do penetrate the larger community--even the under-served communities--nonprofits are hearing from their constituents in a new way. And they're realizing that they can't simply have a one-way street of deciding what's best and trying to provide it.

There has to be a dialogue, and if that dialogue is a fruitful one, then the non-profit has access to forms of support that it couldn't buy. It can successfully advocate; it can get volunteers; it can raise funds. So, that sense of both opening up of decision-making and potentially creating a different dynamic and reaping the results of that, I think is a very current phenomenon within the non-profit world.

Sean: Obviously, one of the places where we can see technology transforming non-profits is at NetSquared. Tell us about the vision behind NetSquared. How did you get into this, and how is it evolving?

Daniel: I have two words to say about NetSquared, and those are "Marnie Webb." Marnie is our Vice President for Knowledge Services, and really the intellectual author of NetSquared. I certainly would want to credit her as the main strategist of this project. It's a two-year-old project.

Marnie and I were looking at this burgeoning 2.0 world--put yourself back in the fall of '85. We were testing an idea, which was that the shift of technical intelligence from the desktop to the web, the array of web services, and the different kinds of ways that people could utilize technology that resulted from that platform shift represented a particular opportunity for non-profits. That was the idea we were chewing on.

We thought that there was a case to be made that one of the key ramifications of this shift--of the proliferation of web-based services--was that the onus was being taken off the stuff non-profits had the least of, which was money and resources of that kind that they needed, hard resources that they needed to buy stuff.

The shift was going toward--actually, non-profits had more of than anyone else, and that was access to communities, if they did it right. It suggested to us that there was something over the horizon that was very exciting: non-profits that could tap into their communities to such an extent that they could actually get social impact work done on a much higher level.

A metaphor that we always like here is that if you think of everything that has gone into Wikipedia, with so few staff and so much contribution from the community that is excited by the concept of an encyclopedia built on collaboration and which accepts a set of protocols that enable it to function in an efficient way. If you take that idea and think could that be applied to AIDS, could that be applied to hunger, could people be so motivated to solve a social problem that they operate at the same degree of contribution and efficiency as characterized by Wikipedia, and quite a few of the other noteworthy social web projects.

So, from that intellectual starting point, we thought about what could we do as an organization. What do we have to bring to the table? Now, what we think we have to bring to the table is a set of relationships.

We're an unusual organization in that because of the product program, we have strong corporate relationships. Because we serve non-profits, we have a huge database of opted-in non-profits. We've been working closely with philanthropy for 20 years; we have, we hope, a significant degree of trust and competence there. We have a lot of people who are right out there in the blogosphere and highly woven into the web, and bring us back that form of intelligence and contacts. We consider ourselves a social change organization--an activist organization--from the outset, so, in that sense, we're connected on more than a technical assistance level with the non-profit sector and the social change sector.

The idea was could we bring all these audiences into one place and create a discussion that was distinctly oriented toward impact--toward how can we help projects that have potential succeed. And that was the first NetSquared, a very lively, if talk-heavy, conference. Very disparate speakers: speakers from Microsoft, Amy Goodman of Democracy Now!, Hong Eun-taek from OhmyNews in Korea, Dan Gillmor, the list goes on, and Angela Glover Blackwell of PolicyLink; a very disparate set of speakers at a technology conference who got people very excited.

But, for the second NetSquared, which is coming up at Cisco on May 29th and 30th--the first one was also hosted by Cisco, for which we're extremely grateful--we decided to really shift the dial toward helping specific projects succeed. That led to the nomination process. We ran the community vote; a process we're in the middle of now, of preparing the projects--the 20 that were selected out of the nomination process--helping them to develop their pitches. Then, they'll compete at NetSquared for a share of the $100, 000 innovation fund we set up, and for a lot of other resources--non-monetary--that will be in the room. We hope to continue to keep coming to the table for these kinds of projects on an on-going basis.

Sean: You've really gotten a lot of interesting people into the room, in the audience: a lot of representatives of the major most forward-thinking foundations. Why are they coming to this conference as opposed to other social enterprise conferences?

Daniel: I think a lot of these people stay very informed and get out there quite extensively. But you're right; from my observation of conferences, it's an unusual concentration of philanthropists who are really interested in not just technology as a generic field but where it's going, what the edge is, and what that represents for their programs and their philanthropic interests. Frankly, they're even more interested than I expected; I thought it would be a harder sell to get funders into the room. As such things go it was relatively easy.

I think that if you look at what a number of the foundations are doing, this is of interest broadly in the philanthropy world. How do you distribute decision-making, on some level? How do you get a wider degree of input from the field? How do you make yourself smart through the--I guess you could say--wisdom of the crowd--wisdom of the field might be a little less threatening way to say it. How do you eventually equip the projects you fund with the support they need to succeed down the road?

I think there's, slowly, more humility in philanthropy, and a recognition that philanthropic dollars, as large as they may seem to earnest, would-be recipients, are very small, and ultimately, by themselves, are limited in what they can achieve. So, if you're going to invest $10, 000, or a $100, 000, or a million dollars, or 10 million dollars in a particular project, it's not enough in of itself. That project needs to be equipped to use new tools and to use new communities in an on-going way. If those communities are brought in on the front-end of the process in some fashion that increases the odds that they'll stick around to support the projects down the road.

I think that's interesting to certain people in philanthropy, and they see this conference as a way of exploring those ideas with their peers, and helping us make a creative mess of a sort, and find out what kind of projects rise to the top in this process and if and how they can be equipped to succeed in the next year.

Sean: So, tell us about the conference itself. What are the finalists going to go through, and what do you hope the process achieves?

Daniel: Firstly, I'd venture to say the process is the reward. Maybe some the projects that heard that would put a contract out on me. Some of them--I think they were half joking--are telling us that all the help they're getting between now and the conference is just killing them. I think it's a joke.

The idea was that these 152 projects nominated themselves. By nominating themselves the statement they were making was they had a strategy they could defend along three parameters: economic sustainability, smart use of new web-based technologies, and social impact. Of course, they varied widely. The first round of voting was open to anyone who cared to register at NetSquared and, presumably, take the time to sift among the projects and make an informed choice of at least five, and no more than ten, of the nominated projects, with only one vote going to each.

We, essentially, tried to run a campaign where it was in your interest to recruit voters, but those voters could not pack the ballot box for the project that recruited them. Still, it favored projects that had some kind of installed base to start with. Out of that process, 20 of the projects were elected to go to the second round.

The next round is to come to NetSquared, at our expense, and pitch, along those three parameters, on three separate tracks. Each track will have a review panel of expert reviewers. We have business people serving as reviewers on the economic sustainability track, technologists on the technology track, and activists and thinkers of different kinds on the social impact track.

The projects will be in a "fish bowl" situation; each of the expert reviewers will have reviewed the project beforehand, and will offer their critique and comments. We're encouraging a kind of "tough love." The people in the room will have a chance to chime in; the project will defend itself, and it's on to the next project. At the end, the people in the conference will vote. The top project will get 25, 000; the second, 15; third 10, then we will divide the remainder of the 100, 000 among the others.

So, it's not quite Simon Cowell kind of tough, but it's definitely an attempt to get these projects to raise their game, to talk about themselves in terms of sustainability, and to, in some sense, compare themselves to others. While that's happening, were hoping a lot of other things are happening, such as projects finding each other and deciding, if they share goals, to throw in together or to pool resources, and to realize economies in that way. A lot of what projects need isn't dollars.

So, part of the proposition here is that we're putting together something called an "innovators support network" in which, just to name one example, Tara Hunt and Chris Messina of Citizen Agency, which is a highly thought of Web 2.0 marketing firm, are making $15, 000 of their services available to one of the projects. There will be this matching and pairing--identification of resources and matching of resources to projects, and we'll monitor all that over the course of the next year.

It's very much an exploration Sean. We're not kidding ourselves that this is a protocol that is ready to be baked, packaged, and shipped. But, we think there's a sense of possibility and we can bring enough to make that real, that it's worth looking at with some rigor over the next year. NetSquared Year Three in 2008 will be something else again.

Sean: OK Daniel, I have one last forward-looking question for you. I think what sets NetSquared apart from other social enterprise competitions is the purity of the wisdom of crowd's concept that you used. Leveraging the wisdom of crowds in this kind of a process is still an emerging science, or maybe it would be better characterized as an art. Do you think this process can emerge as an important one for non-profits and the philanthropic field?

Daniel: You know, I have to push back at the concept of the purity of wisdom of crowd's process that we use. In many ways, we just thought we had to start somewhere. When the projects that nominate themselves include a project like Freecycle, which is a recycling project that already has several million, as I understand it, users around the world, well, they had a profound advantage. They could get to the crowd more effectively than could a project that might have a huge amount to recommend it, but no installed user base.

I was talking to someone and I said, "Next year we want to do a better job of allowing people to compare apples to apples," and he said, "Yeah, instead of apples to pianos," which I thought was touché!  So, purity is not a word I would own as applying to this process.

On the other hand, as I said before, I think there is a tremendous upside if the crowd feels ownership and feels involvement. If one posits that there's a spirit of collaboration abroad in the world, really, and that this is a powerful new impetus as people find out for the first time in human history that they can put their shoulder to the wheel of a project, or, for that matter, a transaction, with someone across the globe, and it can be effective and it can make a difference.

This is new, I think, in our history as a species, and people are exploring that. If we can create conditions where that exploration grids with--aligns with--creating social benefit, and raise up projects that make that very tangible, then, I think, the flame will be worth the candle. The contribution of the crowds, as you're putting it, will be increasingly recognized as something you don't want to do without. It will become seen as a building block for success in projects that really aspire to a broad reach and high impact.

Sean: Well Daniel, thanks for your time. I'm really looking forward to the NetSquared Conference.

Daniel: Thank you Sean.

Sean: This has been the Tactical Philanthropy Podcast. You can visit us at tacticalphilanthropy.com. For more information about CompuMentor and TechSoup visit techsoup.org, and learn more about NetSquared at netsquared.org.


Suffer for fashion (OF MONTREAL)

"if we've got to burn out let's do it together012907_ofmontreal_bonus1
let's all melt down together"

La Lune des pirates, hier soir, Of Montreal en concert (-2 points d'audition oreille droite)... nous avons fondus ensemble...


What is IPTV?



http://live.pirillo.com/ - Neclimdul in the chat room wanted to know: what is IPTV and will it be worth it?

When geeks talk about IPTV, they’re not talking about the Iowa Public Television program. They’re talking about Internet Protocol Television:

IPTV (Internet Protocol Television) is a system where a digital television service is delivered using the Internet Protocol over a network infrastructure, which may include delivery by a broadband connection. For residential users, IPTV is often provided in conjunction with Video on Demand and may be bundled with Internet services such as Web access and VoIP. The commercial bundling of IPTV, VoIP and Internet access is referred to as a Triple Play. Adding the mobile voice service leads to the Quadruple Play denomination. IPTV is typically supplied by a broadband operator using a closed network infrastructure.

In a way your television will be connected to the Internet.

Imagine a day when you don’t have to rely on your local service provider: like on demand, but with all of the programs served in a similar fashion.

The promise of IPTV is that you’ll be able to get the content you want when you want it. Of course, the problem with IPTV is that people generally don’t have enough bandwidth to push the high quality high definition video that people are demanding.

According to Chris, the best IPTV platform out there so far isn’t the AppleTV or your local cable companies on demand service. No, it’s the Xbox Marketplace, which delivers a much better IPTV-like experience than other systems currently in place.

So, will IPTV be worth it? In a word: yes.

Check out the IPTV video on YouTube and subscribe to our channel!

  • No related posts


Monday, May 21, 2007

Miss Universe contestants put on fashion show reflecting the

In the mid-19th century, jewelry reflected a woman's status and social standing. It also evolved to mirror the fashions of the days. With huge hoop skirts in vogue, women wore large brooches to balance the size of their skirts. Jewelry...more



Free designer reading glasses


Be stylish and fabulous this summer with our gorgeous free designer reading glasses from Frank Usher. Known for it's luxurious fabrics, perfect finish and elegant design Frank Usher has a long history as one of the Uk's premiere fashion houses and with this great offer we are giving Daily Mail readers chance to be the first to bag these tinted reading glasses to wear in the sun

New York's RoxiesShop.com Receives U.S. Patent for Inventive New Fashion Tote Bag


RoxiesShop.com announced this week the firm has just been granted a U.S. Patent for its acclaimed new fashion convertible tote bag with fanny pack. Dubbed the "Beach Buddy," the creative tote bag is fashioned from a large beach towel that ingeniously fastens to the shoulder and waist to let the wearer carry everything needed for a day at the beach. [PRWeb May 18, 2007] Post Comment:Trackback URL: http://www.prweb.com/pingpr.php/TG92ZS1FbXB0LVN1bW0tRW1wdC1UaGlyLVplcm8=

Miss Universe contestants put on fashion show reflecting the


Several contestants from seafaring nations selected marine themes. Miss Denmark, Zaklina Sojic, dressed like a mermaid. And Miss Dominican Republic, Massiel Taveras, shouldered two dolphins and sea pl

Miss Universe contestants put on fashion show reflecting the


Several contestants from seafaring nations selected marine themes. Miss Denmark, Zaklina Sojic, dressed like a mermaid. And Miss Dominican Republic, Massiel Taveras, shouldered two dolphins and sea pl